Steve Jablonsky composed the remake’s score. The soundtrack belongs to a film with a more overtly designed visual and sonic finish than the 1974 production, and the home-video supplements include material relevant to its technical construction.
An archive reading: listen to the relationship between mechanical sounds, silence, and score as Erin moves through the family’s spaces. The factory-like environment around the Hewitts gives industrial noise a particular narrative role.
The remake’s music credit, a score release, and compilations promoted alongside the film are separate research categories. This page records the credited composer and points to production and edition resources without presenting an unverified complete song inventory.
A concise AFI record for the remake, identifying its director, writer, principal cast, cinematographer, and editor. The catalog marks this later title as outside its main 1893–1993 coverage.
Arrow’s own 4K listing documents the remake’s presentation and extras, including a newly recorded Pearl interview. Feature availability belongs to this edition, not every release of the film.
A technical review of the remake’s 4K edition, with coverage of picture, sound, and extras. Useful when researching the film’s visual finish and restoration history.